Showing posts with label california. Show all posts
Showing posts with label california. Show all posts

The Closers Review

The Closers
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The Closers ReviewIn Connelly's previous novel, The Narrows, Harry Bosch was seriously considering coming out of "retirement" and returning to service with the LAPD, despite several misgivings, one of which was the entrenched corruption throughout the force. However a new police chief is on board with a mission to clean house. Harry's old enemy, Deputy Chief Irving, a self-serving political player, wants Harry to fail and will do anything to achieve this end. Bosch has been assigned to the Open-Unsolved Unit, (cold cases) teamed up with his old partner, Kiz Rider, a no nonsense police woman in a predominately male domain, embark on an unsolved seventeen year old murder of a young girl, shot through the chest and taken out of her bedroom and dumped in a field. Harry attacks this unsolved murder with calculated zeal, leading to possible corruption in the force, pushing the case to it limits to find the perpetrator. The Closers begins at breakneck speed and doesn't let up until the last page is turned.
Reading The Closers was like meeting an old friend after a year of absence. Harry Bosch is one of the great characters in crime fiction, a man with an incredible sense of justice and an over bearing conscience, that pulls him into trouble from time to time. His relationship with Kiz Rider, as his partner, is a perfect match, as they know each other well, can read each other's thoughts before a word is spoken. Kiz never rides on Harry's coattails, but contributes to the motion, adding her own special skills to the investigation. Harry is older but he's a little smarter, and careful to stay within the bounds of the law. Kiz keeps Harry in line and is there to prevent him from slipping into his old, unorthodox habits.
As a piece of crime fiction, The Closers is by no means a character study, it is entirely plot driven, following Harry Bosch at work to every twist and turn of the case. Connelly knows how to write a crime novel and does not leave anything to the imagination. I have come to believe that the crime genre is an art form all its own, and Connelly has become one of its masters.
This is the real thing. Modern detective fiction doesn't get any better, and in the hands of Connelly, one can be sure the ride will be thoroughly entertaining; and The Closers delivers on all counts - a five star effort.

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Three Complete Novels: "G" Is for Gumshoe, "H" Is for Homicide, and "I" Is for Innocent Review

Three Complete Novels: G Is for Gumshoe, H Is for Homicide, and I Is for Innocent
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Three Complete Novels: "G" Is for Gumshoe, "H" Is for Homicide, and "I" Is for Innocent ReviewI've been buying the Kinsey Milhone series as they have been published as 3-in-one hardbacks since last year when I finally discovered these fun little mystery books. I now wish I had discovered them years ago. These Kinsey Milhone mysteries,and Sue Graftons writing style have matured as the series progresses.
These books are easy reads - not terribly deep but they don't pretend to be anything but that either. I also recomend Janet Evonovich's Stephanie Plum series for readers who are fans of Grafton heroine Kinsey Milhone. Although Evanovich's heroine "Stephanie plum" is somewhat more of a "character" and the situations are far more unbelievable (intentionally so), the books are just as much fun.Three Complete Novels: "G" Is for Gumshoe, "H" Is for Homicide, and "I" Is for Innocent Overview

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The Harry Bosch Novels Volume 2: The Last Coyote, Trunk Music, Angels Flight Review

The Harry Bosch Novels Volume 2: The Last Coyote, Trunk Music, Angels Flight
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The Harry Bosch Novels Volume 2: The Last Coyote, Trunk Music, Angels Flight ReviewFormer newspaper reporter Michael Connelly has been writing intriguing and suspenseful novels for his Harry Bosch protagonist for over a decade now. The first six of these novels have been collected into two hardcover omnibus volumes.
The first volume is certainly required reading if you want to understand the complete background and motivations of this brooding LAPD detective who won't tolerate injustice or any human vice that feeds it either directly (corruption, politics) or indirectly (bureaucracy, laziness, incompetence). They're interesting reads for sure, especially "The Concrete Blonde". However, those earlier stories expose Connelly as a new novelist unsure of what type of character Bosch is destined to be.
This second volume is the work of a much more seasoned and confident author writing about a multi-dimensional and human character. Without giving away any spoilers, I'll say that these three books develop Bosch well beyond just a grim crime-solving automaton who moves from case to case in a very detached manner. He goes after crimes that have personal significance and he undertakes situations outside his role as a police detective. The result is that by the time you turn the last page, you'll be hooked on the Bosch character, not just the stories of the crimes he's solved. That's the hallmark of a great fiction series.
Plus, these three stories are varied and intriguing in their own separate ways. The universe of characters that surround Bosch rotate in and out in ways that are highly interesting without being incredible. "Trunk Music" stretches this point a bit with a story that throws in every angle imaginable and almost loses its way. However, "Angels Flight" rebounds superbly and gets my vote for the finest book of either volume.
These volumes are must-haves for anyone interested in getting acquainted with one of the best mystery writers working today. At a price less than the cost of three paperbacks, you get a well-bound and attractive hardcover book, making this package a wonderful value as well.The Harry Bosch Novels Volume 2: The Last Coyote, Trunk Music, Angels Flight Overview

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Cultural Contact and Linguistic Relativity among the Indians of Northwestern California Review

Cultural Contact and Linguistic Relativity among the Indians of Northwestern California
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Cultural Contact and Linguistic Relativity among the Indians of Northwestern California ReviewOne of the most perplexing problems in the field of anthropology over the last hundred years has been the relationship between language and culture. Does language shape culture? Does culture shape language? Further, and perhaps more interesting, does language shape our cognition, effecting the very way that we see the world? Similarly, does culture shape our language in such a way that the very words, concepts, and semantic structures within a language are the direct result of the culture's physical manifestation? These questions and many others have been the subject of debate within anthropology, linguistics, psychology, and other fields of inquiry for well over a century. Out of this interdisciplinary debate, however, one theory has been of particular interest to all parties - the theory of linguistic relativity.
Developed primarily by Edward Sapir and Benjamin Whorf (Sapir 1949; Whorf 1956), linguistic relativity originally focused on controlled comparisons between contrasting linguistic traditions and related patterns of behavior in a culture, often with an emphasis on the historical impact of cultural categories on the evolution of language. The reason that the theory has been the subject of debate for so long, however, is because of the lack of good, solid evidence to support it. Although anthropologists, indigenous scholars, and a few psychologists have long recognized the deep interconnection between language, culture, and cosmology, in-depth studies of indigenous languages and their grammatical and semantic differences has been lacking. Likewise, comparisons of different indigenous languages across similar cultural patterns has been hard to achieve. Contributing to the debate, and adding much needed data and evidence, is the recent book by Sean O'Neill: Cultural Contact and Linguistic Relativity Among the Indians of Northwestern California.
Approaching the principle of linguistic relativity via the works of Boas (1896/1948), Sapir (1949), and Whorf (1956), who all argued for the role of language in guiding human perception, especially in the culturally charged settings of everyday life, O'Neill's book is a data-rich, theoretically expanding contribution.
Despite centuries of intertribal contact, the Native American peoples of northwestern California have continued to speak a variety of distinct languages. At the same time, they have come to embrace a common way of life based on salmon fishing and shared religious practices. In this thought-provoking re-examination of the hypothesis of linguistic relativity, Sean O'Neill looks closely at the Hupa, Yurok, and Karuk indigenous peoples to explore the striking juxtaposition between linguistic diversity and relative cultural uniformity among their communities.
"That is, neither the language nor the culture of the region holds altogether constant as one passes from one village to the next. Instead, the variables of language and culture achieve a nearly kaleidoscopic variability throughout the area's many speech communities. Taken together, the staggering linguistic diversity and often sweeping cultural variability found throughout this area allow the variables of language, culture, and worldview to be nearly isolated as one passes from one village to another" (p. 19).
It is through this process of comparing the variables of language, culture, and worldview that O'Neill makes some interesting and important contributions. By closely examining the spatial world and the realm of time among the Karuk, Hupa, and Yurok indigenous Native Americans of northwestern California, one is able to see the subtleties associated with language and culture in a geographically close, but culturally and linguistically diverse setting.
O'Neill examines intertribal contact, multilingualism, storytelling, and historical change among the three tribes, focusing on the traditional culture of the region as it existed during the late nineteenth and early twentieth centuries. He asks important historical questions at the heart of the linguistic relativity hypothesis: Have the languages in fact grown more similar as a result of contact, multilingualism, and cultural convergence? Or have they instead maintained some of their striking grammatical and semantic differences? Through comparison of the three languages, O'Neill shows that long-term contact among the tribes intensified their linguistic differences, creating unique Hupa, Yurok, and Karuk identities, including linguistic categories and cognitive processes.
If language encapsulates worldview, as the principle of linguistic relativity suggests, then this region's indigenous peoples are testament to the theory. Analyzing patterns of linguistic accommodation as seen in the semantics of space and time, grammatical classification, and specialized cultural vocabularies, O'Neill offers solid evidence in support of the theory. What is even more exciting, however, is that Cultural Contact and Linguistic Relativity Among the Indians of Northwestern California lends support to the inclusion of indigenous peoples and their worldview within contemporary scientific research, resource management, and policy agendas.
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Peter N. Jones
Editor
http://indigenouspeoplesissues.com
Cultural Contact and Linguistic Relativity among the Indians of Northwestern California Overview

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